History

Discover the dates and key moments in the history of the contest from 1943 to the present day.

2010 Creation of the Régine Crespin contest

For almost seventy years, the Long-Thibaud Competition has choosen young pianists and young violinists and helped them to be heard.

It is useless to say one more time how big its fame is, and that is the reason why the Long-Thibaud Foundation, its president Jean-Philippe Shweitzer, and sponsors, chose to add a third test to its programme : singing. So the Long-Thibaud-Crespin Competition, which will take place every three years in Paris, from 2011, will select and then crown the greatest voices of the future.

Régine Crespin’s name (1927-2007) came almost naturally to the mind of the directors of the Long-Thibaud Foundation, for this famous opera singer embodies elegance and colours of the French singing. Spotted herself during a Competition (the Most beautiful voices in France), Régine Crespin will now have a new mission : to take throughout the world the renown of the competition which bears her name.

The first edition of the Long-Thibaud-Crespin Competition happened from 31 October to 5 November 2011, with the Orchestre National de France conducted by Bertrand de Billy. The eliminatory tests took place in twelve cities of the world (such as London, Vienna and New York), and the concert gala in the Châtelet Theatre, Paris. Didier de Cottignies accepted to be the artistic director of the new contest, and Alexander Pereira to be the first president of the jury.

2008 «Les amis du Concours Long-Thibaud»

An association is created : «Les Amis du Concours Long-Thibaud». Vocation : to hear the expectations of the public and to answer them, and to accompany the new talents in their debuts.

2006 - 2007 Jean-Philippe SCHWEITZER as president

Jean-Philippe Schweitzer, son of Nicole Henriot, grand-nephew of Charles Munch, former pupil of the Ecole Nationale d’Administration, becomes president of the Foundation Long-Thibaud.

New reformes in the organization of the contests. Separation of the administative part and the artistic part. A bill of transparency is adopted, the presence of the former sponsors is confirmed. The Banque Transatlantique of the CIC group and RTE, new sponsors, consolidate the financial support to the Foundation Long-Thibaud.

An artistic committee will be common to both instruments and will reflect the diversity of the jobs of the musical world.

The contest takes back a biennial rhythm.

The Foundation takes its part in the missions of public usefulness and works towards disadvantaged and handicapped people. To give the contest back to the public, the entry to the tests and to the concerts of the contest is free.

Aldo Ciccolini becomes the president of the jury of piano, Salvatore Accardo the president of the jury of violin.

2005 Tribute to Michèle Auclaire

Tribute to Michèle Auclair, First Great Prize of the first violin contest. She had played under Charles Munch.

2003  60e anniversary of the Contest

60e anniversary of the Contest, exceptional gala concert broadcasted by satellite in the whole world (30 channels of the UER).

The two foundations become one foundation : the «Fondation Marguerite Long – Jacques Thibaud».

Le conservatory of Bordeaux is now called Conservatoire Jacques Thibaud.

1999

Death of Yehudi Menuhin. «Music became for him the soul of the world» (Marcel Landowski).

1998 The candidates come from the five continents

The Long-Thibaud Contest becomes «an important part of the French musical heritage» but «it is not enough to be the best to win, one must have the ‘extra soul’ which distinguish the instrumentist of the artist» (Marcel Landowski). Now the function of the international contest is : to discover new talents and permit to reveal them in the world.

1996 Renforcement considérable de l’aide financière de la Ville de Paris.

The violin contest, directed by Yehudi Menuhin, becomes «Concours international Ville de Paris». The 17 conservatories of the Ville de Paris vote for their laureates. Great increase of the financial contribution of the Ville de Paris.

1995

The Contest is placed under the patronage of the President of the Republic, Mr Jacques Chirac.

1994

From Asia arrive new (and often great) talents.

1993

The presence of the contest in Japan is the beginning of a great number of tours in Far East, then in South America and in North America.

New mood that crowns the «Académie des Beaux-Arts» who offers the First Great Prize (piano and violin) : 200 000 F (30 500 euros).

Death of Raymond Gallois Montbrun, member of the Institut de France and of the Académie des Beaux-Arts, composer, Prix de Rome, president of the «Comité Directeur du Concours Long-Thibaud». (He had replaced Jacques Thibaud in the tour that the violinist had to do in Japan in 1953.)

Yehudi Menuhin accepts to be president of the jury of the violin contests. He brings his prestige. About the jury : «We meet together… to emphasize the degree of proximity that the candidates have reached in comparison with the ideal of music and civilization.»

1991

Roland Faure is nominated as president of the president of the board of directors of the foundations. So, he succeeds to Louis Joxe.

He gets the support of the City of Paris. He consolidates the partnership with Radio France : broadcasting with France Musique, and, alternately, the two orchestras (the Orchestre National de France, music director Kurt Masur and, since 2008, Daniele Gatti ; and the Orchestre Philharmonique de Radio France, music director Myung-Whun Chung). He also consolidates the partnership with FranceTélévisions.

1990

Support of the Sanwa Bank who organizes a cycle of events in Japan (recitals and concerts with orchestra) during one week for the Great Prizes of piano and of violin.

1980

It is necessary to reform the contest : separation of the two contests, the occurrence of which becomes three-yearly (third year : galaconcert of the laureates).

A network of host families is organized to welcome (free of charge) the foreign candidates. New recourses come from BNP (now BNP Paribas) and from the Japanese group Fuji Television Network.

1966 Death of Marguerite Long

Marguerite Long dies. The contests in the world are going to multiply, the concurrence is more and more severe.

1962

Creation of the two foundations (Marguerite Long and Jacques Thibaud), «of public usefulness», with Louis Joxe (now minister of general De Gaulle) as president.

1957

The contest gets the patronage of the French state.

1953 Death of Jacques Thibaud

Tragic death of Jacques Thibaud in a plane crash while he travelled to Japon for a big tour with his friend and pianist René Herbin. The contest is full of pain, Marguerite Long is shattered as the whole world.

1949

The rush of candidates is the occasion to choose a biennial solution. With her great friend Louis Joxe, Marguerite Long gets from the USSR government the participation of soviet citizens. It is a new rush.

1946

The «Jeunesses Musicales» organize concerts, Pathé Marconi recordings, many prizes are offered by the City of Paris, the City of Bordeaux (native town of Jacques Thibaud), the Prince Rainier of Monaco, the «Fondation de France», the SACEM.

1943 Création of the Long-Thibaud Contest

The Long-Thibaud Contest was created by the will of two famous artists during their lifes, in a very difficult period.

First national, the contest is rapidly noticed thanks to the talent of the two young musicians, Samson François and Michèle Auclair, who win the First Great Piano Prize and the Frirst Great Violin Prize.

The founders

Marguerite LONG
1874 - 1966 Voir la biographie de Marguerite LONG
Jacques THIBAUD
1880 - 1953 Voir la biographie de Jacques THIBAUD
Régine CRESPIN
1927 - 2007 Voir la biographie de Régine CRESPIN

The institution

The Long-Thibaud-Crespin Contest : actor and witness of musical history.

  • Bernard Volker, president of the Marguerite Long-Jacques Thibaud Foundation
  • François Fournet, treasurer
  • Patrick Collard, secretary
  • Michel Boyon, conseiller d'Etat
  • François Bujon de Lestang
  • Renaud Capuçon
  • Bertrand Chamayou
  • Louis Collinet
  • Bernard Courtois, prefect, representing the minister of Interior
  • Dominique Meyer, director of the Vienna Opera House (Wiener Staatsoper)
  • Augustin de Romanet
  • Jean-Philippe Schweitzer
  • Representing the minister of Culture

Support us

VINCI is happy to support the 2018 Fondation Long Thibaud violin competition and contribute in this way to the development of talented young musicians across the world.

 

VINCI is a global player in concessions and contracting, employing nearly 195,000 people in some 100 countries. It designs, finances, builds and operates infrastructure and facilities that help improve daily life and mobility for all. Because it believes in all-round performance, above and beyond economic and financial results, VINCI is committed to operating in a socially and environmentally responsible manner. And because its projects are in the public interest, it considers that reaching out to all its stakeholders and engaging in dialogue with them is essential in the conduct of its business activities. VINCI's goal is to build long-term value in this way for its customers, shareholders, employees and partners, and for society at large.

 

 

VINCI acts as corporate patron of great cultural institutions such as the Institut Français, the Centre Pompidou in Paris and the MuCEM in Marseille. It has supported the Versailles Château  heritage restoration programme for over a decade, and sponsored the audacious transformation of the Dufour pavilion that today welcomes visitors to the château. This exciting involvement first took shape at the beginning of the 2000s when VINCI undertook to restore the Hall of Mirrors in the framework of a skills sponsorship initiative placing its specialised companies' expertise in restoration of historic monuments at the service of this project. In 2003, it was the largest corporate patronage operation ever carried out in France, and VINCI became the first "Grand Mécène" of the French Ministry of Culture and Communication. This cultural engagement is matched by the Group's social engagement through the VINCI Foundation<http://www.fondation-vinci.com> pour la Cité, which through sponsorship and civic engagement actions contributes to the combat against exclusion and to preservation of the environment through numerous initiatives supporting the scientific world and creation of foundations serving the environmental cause.

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A patron or sponsor is a person, or a public or private company who gives an annual and important financial contribution to the Foundation for its running and for the organization of its concerts.

 

CBA

 

CBA is a global design agency. 
It is composed of a network of 13 offices located across the globe, sharing the same mindset.
Our 305 professionals work passionately everyday on projects for more than 30 countries.

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Fuji Television Network

Fujisankei Communications Group is the first group of communicatin in Japan. As well as television and press (the network Fuji TV and the daily newspaper Sankei are the leading items), its activities increase to radio, publishing and musical and movie production. Fore more than 40 years, the Fuji Network has put a lot into cultural and artistic sponsoring.

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Michelin Corporate Foundation

The Michelin Corporate Foundation was created in January 2014 under the initiative of Jean-Dominique Senard, the President of the Michelin Group, under the sign of “Helping people move forward”. It follows Michelin’s traditional societal commitment by echoing the values of respect and solidarity borne by the Group since its creation. To do so, it supports projects that are innovative, engaged in the life of the “City”, coherent with the Group’s activities and close to its collaborators and sites.

The Foundation’s vocation is to act as a complement to the Group’s subsidiaries’ sponsorships, especially by relaying their involvement in local life. This patronage is already very present in many countries where Michelin develops activities.

The Michelin Corporate Foundation aims to bear general interest projects in the long term in every country where the Group is implanted.

The Foundation supports projects in five fields:

  • Sustainable mobility
  • Sport and health
  • Education and the community
  • Protecting the environment
  • Heritage and the arts

These diverse fields of intervention allow a large number of collaborators, who are involved in associations, foundations or charities, to seek support from the Foundation. It wishes to offer each and every one a new opportunity to demonstrate his/her spirit of generosity and creativity. Grant requests can also be submitted by external persons to the Michelin Group

Anima music Foundation

The Anima Music Foundation aims to build a unique collection of stringed instruments with a view to preserving and transmitting a part of the outstanding European instrumental heritage to future generations. In addition, the Foundation seeks to give both established and promising classical musicians the opportunity to play instruments on a par with their talent.

True works of art, most of the instruments—whose sound is unique, rich, and profound—were made in Italy and France during the seventeenth and eighteenth centuries. They belong to the cultural heritage of humanity.

The instruments loaned by the Anima Music Foundation are either its own property or belong to owners who wish to hear them being played and appreciated at their true worth by the best musicians in the world, to serve culture and delight audiences.

 

The instruments are selected by the Foundation’s volunteering team of renowned musicians, who subsequently choose the musicians to whom the prized possessions are loaned. Lisa Batiashvili, Daniel Harding, and Gautier Capuçon are the sponsors of the Anima Music Foundation.

 

 

The support may be given by a person or a company (private or public) meeting a part of the spending, either by offering a prize, or by paying advertisement, laureates' travels, etc.

The partner may be a public or private company which, by putting freely its services at the Foundation's disposal, gives it a support. For instance : an instrument, an orchestra, a concert hall.